The pieces in the exhibition “Multiple Belongings” explore my culture and heritage to define my sense of belonging and identity. I have created architectural sculptures that illustrate the tensions and challenges immigrants face as they move to a new location, drawing on my experiences of moving between Puerto Rico and the United States. These artworks examine the meanings of migration, diaspora, and transnationality, using clay as a metaphor for place and a vessel for memories of the past, symbolizing resilience and reclamation. Each form combines geometric designs, textures, and colors to depict elements that contribute to cultural identity.

            The sculptures present well-defined geometric shapes, negative and positive spaces, and a variety of colors, with carvings and textures that recall the work of many Puerto Rican graphic artists. The architectural openings represent the balconies, patios, and marquesinas where Puerto Ricans gather with their families to celebrate and enjoy the island's beauty, serving as a metaphor for the communal areas where diasporas gather to strengthen community connections. The use of clay, terra sigillata, multiple firings, and the material's transformation highlight the transformative power of diaspora experiences to create connections through shared history.

I incorporate Taíno and Native American indigenous symbols into the artwork to represent the peoples of these territories. By using these symbols, I honor the societies that historically thrived in these regions, an integral part of my heritage.